Adrienne Lenker and the Art of Silence
Eclipse Silent Disco: Team Edward vs. Team Jacob
Chapbook Review: Sharon Berg’s Odyssey and Other Poems as Existential Theory
Tender is the Flesh by Agustina Bazterrica: Eat Your Words!
Stopmotion: Where Imagination and Insanity Converge
Tone Painting, Vocal Point of View, and other Musical Tip-Offs at ‘Hazbin Hotel’
Review: Four Stars for Funny Story By Emily Henry
The Return of Female Rage: A Year Into Paris Paloma's 'Labour'
Review: Andrea Jurjević Brings Us New Voices and Narratives in “In Another Country”
LAPVONA by Ottessa Moshfegh: The Rot Town - a brief review in the form of a letter I really wrote to a friend
REVIEW: The Lost Daughter: A Haunting Melee of Silent Emotions and Motherhood
Review: Best Know the Evil-Doers
Social Change and Stagnation: A Book Review of Chelsea Martin’s The Really Funny Thing About Apathy
Review: Kimberly Ann Southwick Brings Us Ineffable Vibes in ‘Orchid Alpha’
Review: The Evolution of Villainy in The Hunger Games Prequel: The Ballad of the Songbirds & Snakes
Essay: 'Anak' and 'Distance' on Agency and the Filipino Mother in the 21st Century
Art: Seeing the Past in Black and White
Review: Love and Identity in Sally Rooney’s Normal People
Movie Review: Deliver Us
Why Frans Hals' ‘The Laughing Cavalier’ is No Joke